My chosen subject matters are mainly still frames appropriated from films by directors who themselves are inspired by painters, hence completing the cycle and moving forth the wheel of art-historical evolution which I feel privileged to be a part of.
I believe there is a fascinating quality to motion-frames that captures and mirrors the twilight of existence and non-existence in a specific way which cannot be found by means of composed still photography or through the vividness of real-life observation. As an artist I seek to explore, evoke and to express this quality which ultimately reaches beyond film and into the unknown.
